However, while the band appear to have reigned in the worst excesses of their widescreen bombast, they still find room to lean forward into a full gallop for penultimate track “Echoing”. More often than not the hooks are to be found in Jared Followill’s melodic bass lines, particularly the funk-light cantering bounce of “Stormy Weather”. Those comparisons aside, the guitars are given a supporting role through much of the album. The latter is a Springsteen-esque throb of a song, moody and atmospheric, building to a conclusion that’s predictably panoramic the former has flashes of Ben Deily-era Lemonheads, with occasional flourishes that suggest early Dinosaur Jr, stripped of its thunderous roar. Both are highlights, but neither contribute to any sense of coherence. It makes for a slightly schizophrenic listen, but recent singles “Bandit” and “100,000 People” seem similarly odd bedfellows. Sadly, it’s a decoration torn down too soon, and is soon suffocated by more traditional tropes. Most obviously is opener “When You See Yourself, Are You Far Away”, there’s a point where everything drops away to reveal a woozy synth line that wouldn’t appear out of place on a Bicep tune.
NEW KINGS OF LEON SONGS 2016 PATCH
While the Followill family aren’t swapping guitar picks for patch cables in the way that Kevin Parker’s Tame Impala have, there are still some rich tones and unexpected sounds that crop up throughout. Following on from 2016’s WALLS (We Are All Like Love Songs) the band’s eighth collection, When You See Yourself, doesn’t suggest a complete volte face in this regard, but there are definitely more elements jostling for attention.
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